And then there, again, is my brother representin' HARD up in that studio. Still no stage time yet, but I'm sure he's working on ways of rigging the selection process to get up there and climb up to the top of the Plinko board.
Dis is how we do it.
Dis is how we do it.
The girls love me because I'm hip hop.
And, if that's not bad enough, you have "Wild-N-Out" hosted by hip hop vet, Nick Cannon. Maybe you forgot his "hip hop" hit "Gigolo" with After showing off his incredible acting talents in Drumline, Garfield: The Movie, Love Don't Cost a Thing, alongside Richard Gere in Shall We Dance and (my personal favorite) Roll Bounce, he takes his dynamic personality and laugh-til-it-hurts sense of humor to cable television. "Wild-N-Out" is a show that puts two teams of rejected humorists and Nick Cannon against each other in a, uh, comedic obstacle course of sorts. The "DJ" calls out a competition and then the two teams battle it out doing impersonations, "freestyle rapping" or simply cracking jokes. What's worse is they sometimes drag bonofied hip hop artists into this crap as a guest spot so that Nick Can't can build some sort of cred with the audience like who else can pull guests like this?! It's horrible. It's like "Whose Line Is It Anyway?" except it takes five times as many people on stage to make it only a quarter as funny. And, sorry, folks "Whose Line Is It" isn't even funny. I can hear Nick Can't pitching to the execs right now: "Think of it as an urban Drew Carrey." Nick, your show is as intriguing watching a television in the "off" position. Stop playin' cute and forfeit your slot for "Yo!" re-runs--30 minutes at a time.
Nothin' funny 'bout this watch, ese. Peace.
Puffy's getting a dance group, oops, I mean hip hop group together. His first band, aptly titled "Da Band" just threw punches for a whole season. Yeah, I watched it. Can't hate on a little violence. Rev Run's in his bathtub getting philosophical. Xzibit's turning some kid's Pinto into a Pinto with nice rims. Jamie Kennedy (not funny) is starring in his own reality (not really) show about a has-been actor making a last ditch run at fame...as a rapper. Yet another kid from the burbs wants to be made into a rapper...or a breakdancer...or a DJ. Never thought that VH1 would top MTV as the network dedicating more airtime to hip hop programming, but they officially have. I mean, VH1 used to be all Michael Bolton and Dave Matthews videos. And we didn't need a VH2 to get that airtime.
I'm not suggesting to anyone to not watch MTV. In fact, in 30 minutes, I'll be settling down for a little Real World/Road Rules Challenge. B'lee dat.
Next time, though, MTV tries to sell you more of their processed and packaged "urban" programming, turn it off, walk away, put on Black Moon's Enta Da Stage and blast it like you got it yesterday (maybe some of you did) and leave it on repeat until your woofers fall out of the cabinet.
MTV, you gets the gas face.
Man, first song I hear this morning is Geto Boys "My Mind's Playin' Tricks on Me" on undergroundhiphop.com's "Old School" channel. It's gonna be a good day.
This year, Halloween fell on a weekend. Me and Geto Boys is trick or treatin'.
I'm out of coffee this morning. Must go to the store to get more bean when they open. Eyes very heavy. Why can't I sleep? Why?
You just can't direct moves like this.
Passed up by Team Ortiz (as in Tito Ortiz) when the teams were selected, Ed promised Tito that he'd live to regret passing on him. Herman eliminated two of Tito's fighters on the way to the finals which pinned Herman against Kendall Grove who hails from Maui. Kendall spent his time away from the show preparing for the title fight along side Tito Ortiz while Ed went back to teach martial arts at Team Quest back home. A true underdog fighter. Like Balboa in Rocky IV, Ed spent his time training by himself--building that heart of a champion on his own. When he would return to Vegas, he was a lean, mean fighter ready to knock Grove's block off. He's also part Danny Laruso, too--a young, scrapper with a less-than-ideal home life. His best friend died fishing in Alaska (which I learned is apparently one of the most dangerous careers in the world--who knew?). Herman's a loaner with the heart of a lion. He's not the popular kid. He's the fighter from the wrong side of the tracks and, if you cross him, be prepared for a beating. You'd be praying that he'd choke you out just to make the beating shorter.
Well, Ed came into the octagon last night looking better than ever. The crowd booed at his arrival--Kendall as the true crowd favorite. The battle was of epic-proportions. It went the distance with both sides trading off failed chokeholds and arm locks. Kendall got a few flying knees in (which is easily my most favorite move where the dude begins running, takes flight and puts knee right in the face of his opponent--like whoa!), but Ed would counter with hard strikes and body shots. It went the entire three rounds--sometimes with a fighter barely hanging onto consciousness. It was straight brutal.
It came down to the judges and, in the end, Kendall would win even though, I feel Ed had that locked down. In the end, Ed was also awarded a six-digit contract as well, so I suppose he won in the end even though he lost the final fight.
Man, but the real winner was me. How cool that my lovely wife would endure that much ultimate fighting? I mean, seriously, the girl's a champ. Even I almost couldn't do it. I've got the raddest lovely wife in the entire world.
Speaking of Team Ortiz, the Sox won on Papi's 10th inning homerun to centerfield. Dude, there's no greater clutch hitter in all of baseball. Amazing.
Man, Brand Nubian's In God We Trust keeping the party moving right now. Great album. They were greatly under-appreciated.
Look at her shoes, first off. Those ain't no breakin' shoes. Where are the fat laces? Shell-toes? Nah, she's hitting the floor in ballet shoes. Okay, I know she plays a ballerina in the movie so it probably works for the story's sake, but what is tragic about this movie is that it makes it look like the dance known to the mainstream as "hip hop" is an extension of traditional dance movements. Ballet, if you will. Man, I'd be interested as to what Crazy Legs has to say about that. Secondly, everyone's checking her out like, "Oh, this is the next level, man! Her moves are so hot!" Dude, people would be clownin' her at a battle. It's like taking Karate into a martial arts tournament. Karate is like dancing. It really holds very little value as an attack-driven martial art. Karate is like training wheels to real fighting. Lastly, I've never been at a getdown that has goofy helium balloons all around like we're eight years old and little Bobby just turned nine. Whoever did this movie had to have done Dirty Dancing.
For those who need clarification and have thought that "hip hop" really is a dance style. It's called "breaking." This is doing it right:
"Hip hop" is not a style of dance. If you hear a dancer say, "I like many styles of dancing. I'd say I'm most influenced by the urban, hip hop style of dance," smack them. You're a B-Boy/B-Girl or a ballerina. I hate to be absolute because, well, I certainly didn't write the rules, but we gotta set the record street. Because your dancing might have edge or, better, a street edge does not mean you have the right to even mutter the words "hip hop." Just keep it out of your mouth. Say you do "aggressive, street-influenced dance moves," but be careful how loosely you toss around "hip hop." Just because you bust a few rap hands like the gals below who are, in fact, billed as a "hip hop dance group" does not and, I repeat, DOES NOT make you hip hop. Check out these gals:
That is not hip hop. That is seven, eight girls looking like morons trying to act like Julia Stiles and bridge the cultural gap with hardcore street dance moves. Look, dancing will not solve racial issues. Dancing like this might even fuel racial issues. Just stop. It's a mockery of all B-Boys/B-Girls who get gully with their styles. Popular culture would like for you to believe that this is, in fact, a direct extension of the hip hop culture. They'd want you to believe that "hip hop dance" does, indeed, exist. And sometimes even it's captured on the silver screen. But if you don't see a kid in velour and a Kangol doing this:
...then recognize. There is no such thing as "hip hop" as a dance style. It's called "breaking." If someone tries to convince you otherwise, ask them to name just one Schoolly D record and watch them shut up. You don't have to claim ownership over hip hop, but act like ya' know and keep it real. Because if you left up to white kids from the suburbs, hip hop started when Eminem did it and to dance "hip hop style" is to throw up rap hands and pout your lips like a tough kid from a rough neighborhood and then do high kicks.
Preservation. It's not just for our forests anymore.
Hi, I'm Matt Hines. I drink a lot coffee. I hate my shifts.
You would've thought Matt was forecasting the weather for a city a thousand miles away. Every daily high was about five to seven degrees less and there were little clouds on his seven-day forecast graphics. Some of them even had little lightning bolts coming out of the bottom of them. I say to myself, "Matt, you dawg!" Duke went up against the boss and delivered a completely conflicting forecast not buy nine hours later than Big Bill's forecast. It was like he walked in that morning, watched the tapes of the evening broadcast (because, you know, dude needs to hit the hay early), saw Bill's forecast and said, "Moron." Then he went through, changed the entire forecast, put it on the air and sat back and smiled proudly saying, "Looks like we'll have a chance of rain this week," with the confident swagger of a Tony Montana and then just col' left the studio like, "My job is done here."
He went against the big man--the chief meteorologist without any concern of how it would confuse the viewers. We were forced to choose. Do you take your umbrella on Tuesday or are you going with Bill's forecast? At the time, I wasn't even really caring about who was wrong and who was right. I thought, if Matt has the cohones to completely alter the forecast to a more favorable forecast, I'm going with him. Forget that 10pm newscast, the truth is spoken at 6am.
Well, it turns out. We never cracked 100 degrees this week, but we came close on Wednesday at 99. There was a chance of rain for the last three days and some really good area rain and golfball-sized hail for the eastern panhandle. In fact, Pampa (pronounced /PAM-puh/) reported multiple power lines down as a result of 80 mph headwinds with approaching storms.
Matt was right-er. In the Yellow, there's no right or wrong when it comes to weather. It's all about how confidently you present your forecast. Not to discount Doppler Dave and his wonderful staff or even Big Bill Turner, but Matt Hines' move that morning was straight gangsta! And, for that reason, good ol' Matt Hines is awarded the coveted Most Gangsta Move of the Week award and I'm starting a petition to get this cat moved up to 6pm. I'm not sure if he used that schooling to draw up that forecast or if he just tuned into the Weather Channel (I know of a few weathermen who do locally--yeah, I've been keeping score), but the kid almost nailed it.
You gangsta, Matt. Keep rockin'.
For those who are just joining The Root Down, welcome.
For those who are making your evening trip, don't be shocked. Same slammin' site, but with a new name. I really loved The j3 Spectacular, but it was a little longwinded (like that's ever been my concern) and it didn't match up with the URL which is http://therootdown.blogspot.com (tell your posse). So in the interest of keeping the marketing message consistant and, plus, it's just an ill name anyway and, more importantly, The j3 Spectacular was a little self-glorifying and over the top. The Root Down it is.
And hopefully the black is a welcome color to the blue. Just a healthy change. Plus, Chuck looks a lot better on black.
Sunday brunch with my Grandmama. Have a wonderful Sunday and, papas, have a happy Fathers' Day. Do dogs count as children? If so, I'm taking tomorrow off. I'm gonna sit on the couch, drink beer and watch the Sox beat the snot out of the Braves (Buffalo Bills of MLB).
Tonight, the Chuckheads went into battle. Por que? For the title that rightfully belonged to us. We're 12-0 heading into tonight's tournament. This is for all the marbles. I ain't going out like no Cobra Khan. I'm straight up Miyagi in dis muddah. We came to wreck.
With a first round bye (which I actually count as a win making us 13-0 coming into tonight), we wandered into the dust bowl that was Southeast Softball Complex at 7:00. 45 MPH wind gusts awaited us as some area storms blew north. I show up in my contacts and, as I sip my customary pre-game beer, I'm thinking to myself that there is no way in hell I can play in my contacts. I call my lovely wife who is now about a mile from the ballpark and ask her to please go get my glasses. She happily obliged. The game before us concluded with good ol' Dwaynes Quik Auto getting shown to the door by some team I've never seen. I still don't know who they were. We took Dwayne's dugout to face, uh, let's just call them the red team.
I'll make this game short so we can get to the next one. The "next one" insues that, yes, we won the first game bringing us to 14-0 (or 13-0 without the bye that were owed from our outstanding season performance). It wasn't too close from what I remember. I played right which no hitter could accurately punch it to tonight with the killer mouth-full-of-dirt wind. Victorious as we were, we knew that more awaited us. The championship game and this is never a gimme. To be honest with myself and the guys who might be reading this, I thought this was the end. I mean, I've been playing with some of these guys for a while now and it nevers ends on the up. We're always walking away going, "Hey, c'mon fellas, it was a good season. We got nothing to be ashamed about." You know the speech your grandpa used to give you growing up.
Trey (who's last name I'll never know and if I know, I'll never remember) mentions before the game to someone that "these guys are gonna fight." Apparently he played this team, we'll call them Roto Rooter, in his Friday night league and they're notorious for playing dirty.
Great.
Now, one thing my grandfather always taught me was sportsmanship. I never get heated about anything. In fact, I'd probably be considered less of a man because the last thing I want is to EVER dodge a punch because I'm slower than syrup and if you want to hit me, you'll connect it. Being that I'm not so good at violence, I know I'm already at a disadvantage, but we got some big boys on my team. Maybe if worse comes to worse, they'll get my back because I punch like a Sally. There. You happy? I said it. Now please leave me alone.
Roto Rooter, as we'll call them, shut is down in the top of the first (yeah, that means we're the visiting team) and then hang a quick three runs on us in the bottom of the inning. No biggie, but we can't get down to these guys. Take it run to run, out to out. Or, like I always say to myself, "Put it in play and hussle like hell's on your heels."
It's back and forth for a while. The wind is still whipping us like a your daddy's leather belt and it's starting to take it's toll in exhaustion. Simply standing it and keeping from falling over takes effort. It just beats you like a dog. Like any softball game, errors are made on both sides. Playable balls roll to the fence. It's a part of the game. It's not a slight on anyone--it's like trying to catch a volleyball with a pair of tweezers sometime.
All the while, these dudes are, indeed, playing dirty. They'll push you, hold you, trip you, knee you in the groin, block the basepath. But, as ambassadors for Chuck, willing or reluctantly, you take the high road and let it slide. We're here to kick some ass and go home. At one point, Looney got gunned down at home and the third baseman runs all the way down the line, gets in Looney's face and yells, "That's what you get, homeboy!" Now, I don't know what happened, but I knew what was boiling was a super explosively emotional situation. Looney, like a true sport, tucks his head and walks to the bench. I speak to the ump briefly saying, "Number 22 is getting kinda mouthy. Can you please keep an eye on him? I just don't things to get out of hand." He obliges and I thank him. Well, that's all good until people in the stands, who have been drinking all night, start talking. I know, for a fact, they were giving David an earful as the third base coach.
Just need to make a note about something that happened to me on the field. I'm at second base and the field ump looks at my shirt and says, "Is that (expletive) Chuck Norris?!" I laughed my whole way across home plate.
Regardless, time expires. Roto Rooter, as we'll call them, has last at bat and they're down 14-26 to the Chuckheads. How we hung those 26 runs would take weeks to detail. We'll put it this way, it was a battle simply of epic proportions. In the process Angry Tim maybe tore his hammie (suck it up, holmes) rounding second so he's riding the bench like a bronco. Big Bad Brad joins me in the outfield: a superb coaching move, if I may say. Sampras to third. Okay, we need three outs to seal the deal.
Well, one thing leads to another and the runs start to tally. A 12-run lead shrinks to eight. Then to five. And the long-lived rule of softball starts coming into play and that is "No lead is safe." You gotta play every out like you're down by two because, without fail, things will get interesting. Well, with a man on first, a hard grounder to Manham (he's also known as "Mayhem" or "Mahan" on the day he was born) pulls it out what dirt was left on the field after three hours of sustained winds and underhands it to Holcomb at second. We've got two outs. Now, if memory serves correctly, they were now down by four runs. There's another grounder to Manham (it all happened so quick I'm not even sure if it was him--might have been Sampras) and it's fired to Steve at first who with the runner sliding into first (another something my grandfather always told me not to ever do) and it looked like we got him from my vantage point. The ump comes up with his hands ready to make the call.
OUT!
I ran faster than I did all night to celebrate with the boys. That's it! Game over! We're the champions! Undefeated!
Wait, hold up. Roto Rooter, as we'll call them, disputed the call saying that Steve wasn't on the bag. We all clear back waiting for the final ruling. Both umps come back with call. Both ruled the runner out at first.
Alright, let's drink some beer, right? Not yet. We're getting in line to congratulate our opponents. Now, Matt's in front of me and as we're about half-way through the line, I hear Matt say, "You need to stop talking (expletive noun)," and, without hesitation, I hear a voice from the other side say, "What, you (expletive adjective) (expletive noun)?!" Matt whips around (dude, I didn't know you had it in you) and I immediately put myself in the best place possible for a pansy like me: between Matt and ol' boy. I push Matt to the dugout only to be passed by about four dudes from the stands unloading onto the field and running to what sounded like a melee behind me. I was thinking, "It's gonna get ugly. We need to just get the hell outta here."
Well, I'm gathering my stuff and the yelling continues. Now, it's in the dugout. There's some shoving, a lot of words I'll choose out of decency to not repeat and everyone's getting wrapped up in it.
To put it short, it got a little hairy there for a second. And to think that my mother was upset that I didn't tell her sooner about the tournament so she could up and witness this. She'd tell me I need to take up a new hobby like stamp collecting or bird watching (of course, with my luck and history, I'd suck at bird watching--see earlier post right here on the Spectaculah). Not the kinda place you'd like to have your mother at after dark.
Let me tell you, they deliver the trophy over to us and this thing cuts the sky. Amazing. I think we'll pass it around like the Stanley Cup. I'll put it on my mantle for a week. My lovely wife we'll understand.
David insisted that we all walk out together to ensure we all made it out of there alive. So we did. With beer, trophy and soggy ballcaps in tow, we made our way out of there. I saw some guys waiting out in the parking lot as we left. I'm praying everyone made it home last night. If not, I'm sure I would've heard about it by now.
It's been a good season, folks. We change uniforms, make some key additions to the team, we play like true sports. It's all in how you look at it. If you're out there to have fun firstly and not take yourself too seriously, good things will come. And even if that one good thing is you got out and played some ball, that's enough in the grand scheme of things. I like winning like everyone else, but speaking as a Sox fan, losing builds character and if your head's in the right place, you can do no wrong. But let me tell you:
Winning (expletive adverb) rocks.
I'm proud of our team. So much, I'll go ahead and run through the names real quick: Flip, David, Steve, York, Manham, Holcomb, Looney, Trey, Big Bad Brad, Simpson, James, Matt (are you trying to get me shanked?!), Lance, Harley, Angry Tim, and of course, our beloved Kool Aid. Hopefully I didn't miss anyone.
Also, I really need to thank the supporting wives/girlfriends/significant others and that guy that always shows up with Looney and drinks too much beer. We didn't draw very big crowds like the other teams, but I'll be damned if, with Chrissy, we weren't the loudest.
Man, this is bordering on a Jerry Maguire moment. Wolfmother's about to come on Jimmy Kimmell. Must make sure to catch that performance. Best way to cap off the evening.
Oh, I suppose I'll do a few people a favor. If you ever have some brown stinkies clog up that toilet of yours. Or perhaps, you used one too many sheets of the paper and it's mess of brownies and paper, don't call Roto Rooter. Do it yourself. I like to be resourceful so I'm posting a quick breakdown of how to loosen the cruel stool and flush 'er down. See below, but don't call the Rooters. They're mean and don't deserve your hard-earned and heavy-taxed cashola. Especially the third baseman.
This is a bad, bad thing. Not only is it a bad thing because it attempts to sugarcoat the culture and pitch it to children who have no business listening to it, it also craps over 25 years of history with this utter bastardization. Let's not judge the book too closely by the cover, but there's dancing bunnies on the front (I suppose a much too literal take on the album's name which is equally tragic--Hippity Hop--like some Mother Goose-Mary Poppins storytime horsh-ish)...and there's carnival clowns.
So maybe you're saying, "j3, perhaps your mistaken. Maybe it's not really a take on hip hop. Maybe that's just the name of it, but the content is something completely different."
Well, please join me in reading through the description of this piece that was pulled directly from the kidzmusic.com (notice the very edgy "z" instead of "s" in the plural of "kid"...wow, this is like a freaking time machine). Here it is:
“It's Hip-Hop, Mom and Pop”
The Mayor of Mount Vernon, N.Y., is turning a 94-year old firehouse into a Hip-Hop Hall of Fame. . . Lauryn Hill recently collected an armful of awards for her hugely successful hip-hop album. . .
So what exactly is hip-hop and why is it so difficult to keep still and stop smiling while listening to it? Well, try this one on for size: Music For Little People's newest release, Hippity Hop. It's a duly danceable initiation to hip-hop, with familiar songs for younger audiences transformed rhythmically into this street-inspired sound. A sprinkling of seasoned artists mixed generously with talented West Coast teenagers will have Mom and Dad raiding the kids' CD collection.
My favorite cut is Cultural Heritage Choirs' poppin' version of "Cookie Jar." I can see Dad now, tooling to work, windows down, bellowing at the top of his lungs, "Who stole the cookies from the cookie jar?" The Choir, along with Eric Bibb, also has a fun time reinventing "Funky Nursery Rhymes"; and Taj Mahal jumps all over "Everyday People," and a Bob Marley tune, "Three Little Birds," with Shinehead sharing vocals.
Maria Muldaur offers a brand new version of "Brand New Key"; and traditional songs from the slavery era, "Juba Dis and Juba Dat" and "Little Liza Jane," are given hip-hop life by Sheila E and the album's producer, Linda Tillery, respectively. Rounding out the album is Tillery’s take on "Mary’s Dancing Lamb."
So when the mayor of Mount Vernon looked at that old firehouse and said, "It looks like a building, but it's not. It's an idea," I guess what he meant was that hip-hop is an idea that's here to stay.
Keep in hippity-hop touch with me at www.kidzmusic.com. Catch you on the flip side.
Let me know when you're done vomiting.
There's a number of things that are completely wrong here. I'm not sure why the writer can't keep still and stop smiling when listening to hip hop, but there is nothing about this that is "street-inspired". This is Romper Room. NWA would be "street-inspired." How about "Brenda's Gotta Baby" if you want "street-inspired"? Then the writer makes a "coastal" reference which is just so tremendously disturbing and, even worse, the writer suggests that the parents will be "raiding" the kid's CD collection because of this hunk of crap. Wow. That's a family with some serious problems.
Okay, read with me, the following sentence three times consecutively. Tell me this doesn't absolutely scream hip hop culture:
My favorite cut is Culture Heritage Choirs' poppin' version of "Cookie Jar." I can see Dad now, tooling to work, windows down, bellowing at the top of his lungs, "Who stole the cookies from the cookie jar?"
Wow.
And, uh, yeah, I guess hip hop is an "idea that's here to stay," being that it's now over 30 years old, but you would never be able to tell that from looking at this piece. This times hip hop so badly. It places it as a fad, a passing phase and, what's even worse, is it uses it as a sort of educational, clap-your-hands type of instrument for children. Why is it bad? Because it's not at all a realistic depiction of hip hop. And it paints a very misleading picture for children of the world that's on the outside of their picket fence. And, beyond that, hip hop is so drenched in culture and none of it is present here. No breakers, no graf writers. It's an absolute insult. And, sorry, Bob Marley is not hip hop. He was black and smoked incredible amounts of weed, but those two elements alone do not make him hip hop.
Thaddeus' first children's record will be De La Soul's Three Feet High and Rising. If you insist on giving your kid a hip hop record, make it this one. Sure, there's some stuff in there a youngin probably shouldn't listen to, but I'd rather my child have an understanding of the culture rather than learn a couple of stupid dance moves and end up getting his ass kicked in junior high because he's been living with his head under a pile of stones and think he has an understanding for a culture or a race because he listened to this crap growing up.
I'll leave you with a few comments (sounds mostly like parents) posted on amazon.com. Enjoy. I'll catch you on the flip side, G.
"Hippity Hop is the best childrens cd ever. It really touches my soul. I feel that all ages can get into this music. With songs like cookie jar, everyday people, funky nursery rhymes, brand new key and others this cd gives hip hop a new meaning. Try this cd and give it your own opinion. Don't take my word for it."
"I loved this CD and my infant son does as well. I think we will be listening to this CD well into his toddler years - it can be sung along to quite easily. I am a huge hip hop fan and I got this because I am finding that my collection is inappropriate for young kids. But this CD did not offend my hip hop sensibilities at all."
"This CD is simply and utterly awesome! My toddler has been bebopping to it for months and when she's old enough to understand the words, she'll also get inspiring messages from "Brand New Key." The girl's solo in the middle of that song is really nice and spreads the word about the world living together as one. "Cookie Jar" is too cute and too funny--an original and creative remake of that kid's song. I still crack up every time I hear it! But most importantly, I love that my daughter is getting a taste of different flavors of music and American culture. The musicians have taken some classics and fitted them with a new sound representative of African-American culture. I'm a white American living in France and so couldn't be more thrilled that my daughter is exposed to children's music from my country other than Barney, Seasame St., etc. I'm waiting for #2--hurry up!"
"...Parents need not be alarmed at the inclusion of rap, which adheres to its original definition (rhythm and poetry) and never offends. All in all, this should have the kids up dancing, digging, and doing their thing, hippity-hop-style..."